No Codeword - by SJ Smith

This bloke in a swallowtail suit and top hat says to us “Welcome, ladies and gentlemen. The party is through here,” and he points toward a red curtain that’s drawn across the corridor. “May I take your hats and coats?”

Everyone else takes off their anoraks and scarves and hand them over, so not wanting to stand out as some socially inept fool, I do exactly the same.

“Thank you, sir.” He comes over to take my coat, and I smile and nod, like this high class living is all in a day’s work. “Your locker number is thirty-two, and the codeword this evening is (blah blah blah).”

Now, for saying I was paralytic and had no fucking idea of what was actually going on, I thought at the time I was doing pretty damn well just to digest my locker number. “Thirty two,” I’m saying to myself. “Thirty-two. Thirty-two.”

Mustn’t forget; thirty-two.

Everything else he said is a bit of a blur, in all honesty.

Next thing I know, this mad woman called Pamela has got me handcuffed to a bed, and is tickling my cock with a feather duster, and I’m saying, “Come on now Pamela, love, will you stop doing that please. I’m trying to watch telly.”

And she keeps laughing. “You’re a naughty boy, and you must be punished.”

She just wouldn’t stop, no matter how much I begged.

Three years passed. I gave up hope of ever being free. Pamela grew bored and I grew bored, but neither of us were allowed to break the cycle. On and on it went, the endless tickling of the cock, and the endless refusals to ever, ever stop.

And it was not until I uttered the word ‘pissflaps’ by sheer accident one evening, did Pamela finally stop tickling my cock. She collapsed in exhaustion at the foot of the bed and suffered a fatal coronary. Realising I finally knew the codeword, I screamed it at the top of my voice.

“Pissflaps! Pissflaps!”

And the man in the swallowtail suit did finally come and release me from my bonds. “Blimey,” he commented out the side of his mouth, as he carried me shivering back to my car. “You must have really been enjoying that.”

“Pissflaps.” I choked into his ear. “Pissflaps. Pissflaps.”

House of Fox Artwork, plus news of Leisure

I'm happy to present the cover art for my upcoming novel The House of Fox. As ever, publisher and designer have done a fantastic job.

We're hoping the book should be out in June, which brings me onto my second piece of news; we have a tentative release date for Leisure, which - fingers crossed - should be out June 24th. Leisure was the first novel I wrote that was accepted for publishing, but owing to several mishaps it's now in a race to be either the second or third to come out. Watch this space for updates.

Reindeer Gains

The journey has been beset by delays ever since we set off. A plane crash in Krakow caused chaos on the roads, and we’re running almost three hours late. I’m starting to sweat it; I’ve several million dollars’ worth of contraband stashed aboard this coach, and if we don’t make it to the rendezvous point in time I’ll be in a world of shit. I gaze out the window as we cross the snowy mountains, a sinking feeling in my gut.

The driver has been off his face on crack ever since we left Budapest. He’s way too brain fried to realise the bus load of passengers he’s carrying is actually a whole load of cleverly disguised illegal shit, bound for the border. The guy sitting up front in a fedora and raincoat is really a stolen Swiss cuckoo clock. The overweight mother nursing two babies is in fact a thousand packs of rolling tobacco wrapped in a flowery dress. I’m smuggling anything and everything – booze, cigarettes, drugs, guns, exotic species. In for a penny, in for a pound, as they say.

Finally, we’re starting to make some good progress, coming down from the high pass to join the Autobahn. If the driver puts his foot down there’s half a chance we might make it in time. My fingers are crossed and my breath is baited. That’s when I realise we’re slowing down. God damn it, what now?

I sprint to the front of the bus and berate the driver. “Why the hell are we stopping?”

“Regulations.” He grins lopsided, his teeth black and rotten. I get it now – he’s run out of drugs and wants more in exchange for his complicity. Son of a bitch.

There’s two hundred thousand dollars’ worth of crack cocaine, disguised as a group of irate Manchester United fans, half way up the right hand side of second class. I break off yet another kilo and fling it at the driver. “Here, put that in your pipe and smoke it.”

“Merci, monsieur.” He cackles as he imbibes, and his eyes glaze over.

“Can we get moving now?”

He shifts into first gear, and we’re about to pull away when there’s a banging on the door. Outside in the snow, a group of scantily clad ladies are demanding to be let on board.

“Ignore them, just get going,” I yell, but it’s too late. The doors are open and the women are trooping inside. Shit – this is going from bad to worse. They head straight to the back, laughing and squawking. There are six of them, all decked out in tiaras and tutus with L plates hung around their necks. A hen party is my guess – I only hope they’ll mind their own business and not give me any trouble. 

Finally we’re underway. I look at my watch and see the wasted seconds and minutes pouring down the drain. Fuck it – I retake my seat and pour a large rum. It’s in the lap of the Gods now.

Drinking while on a mission is never a good idea, and before long I’m grinning back over my shoulder at the gaggle of lovelies, leering at their nubile flesh and imagining what it would be like to have a seven way. By ear-wigging their raucous conversation I determine they’re almost out of alcohol. Here’s my in; I’ll pop back there with a couple of bottle of vintage champagne, which are currently disguised as former world darts champion Eric Bristow, and save the day. I’ll be their knight in shining armour.

All my best chat up lines are ready to go. I straighten my hair and comb my moustache in preparation for seduction, but then all of a sudden the girls are hollering and squealing and the driver jams the brakes on.

“Stop!” the redhead with the massive bazookas is yelling. “There’s a reindeer in the road – we have to rescue it.”

I get a bad feeling, and hope the driver will ignore her. But he’s clearly clocked those massive bazookas of hers and will do anything to get in her good books. He pulls in at the side of the road and opens the doors.

“What the hell are you doing?” I grab the redhead by the arm. “You can’t bring a reindeer on board."

She pouts. “But what if it’s one of Santa’s reindeer? What if it’s Rudolph?”

“Fuck Rudolph. We have a schedule to keep.”

“I don’t care what you think. I’m going to rescue him.” She goes tottering off in her eight inch heels, and I begin the countdown to pandemonium.

The minute she brings the reindeer on board, everything goes apeshit. See, that guy who looks like Tom Selleck three seats behind me is actually another reindeer I’m smuggling, bound for a private zoo in the South of France. Two male reindeer in an enclosed space was never going to be pretty, but to make matters worse, it’s mating season.

My reindeer emits a high pitch snort and leaps to its feet, shrugging off the Hawaiian shirt, sunglasses and fake moustache. The new reindeer snorts in reply, and after a brief bout of foot stamping the pair of them are rutting, taking suicidal runs up the centre aisle and smashing one another with their antlers. Contraband is flying everywhere – fake Picassos, jewellery, hardcore porn and weapons grade plutonium. The hen party girls are screaming and trying to climb out the window. Even the crack addled driver is noticeably perturbed.

I don’t know what the hell else to do; I wait for the bus to stop, get off and abandon the whole shit storm for someone else to tidy up. Guess I’ll have to head south until the smoke clears.

There’s Something Wrong with you . . .

At the beginning of this year I set to finishing off and polishing up The House of Fox, a novel I started work on some six months previous. By the end of January it was ready to go, so I dispatched it to the publisher and crossed my fingers. Within five minutes I was anxiously checking my phone for replies, like some lovesick teenager. Ridiculous, I know, but that’s what this writing game does to you – gets you all hot under the collar as you wait for your latest outpouring to be judged.

The reply I eventually received made me so happy I practically jumped up and down on the spot. It began with the words ‘There’s something wrong you . . .’

A lot of people may have been put off by such a response, but to me it meant I’d achieved exactly what I’d set out to. The House of Fox isn’t a cosy little smut story, but rather a full blown pornographic epic, with gun fights, car chases and even a couple of song and dance routines thrown in for good measure. I didn’t want to write anything that had been written before, and with a bit of luck I’ve managed to pull it off this time.

There’s a very good quote by the late, great Frank Zappa, which I feel is pertinent here. ‘I never set out to be weird - it was other people that decided I was weird’.

Somewhere inside of me lurks a genuine need to break ranks and do the opposite of what everyone else is doing. My life has been rather handicapped by this urge – for example, when the train pulls into the station and all the people move to the edge of the platform and jostle to get close to the doors, I feel a strong desire to go sit in the waiting room and read a newspaper. A crowd of a hundred are going left, therefore my brain tells me to go right. I don’t want to ever fit in with the multitude.

The same goes for my writing. The popular trends in dirty books right now are vampires and sadomasochists. If that’s your kettle of fish then there are a million tomes out there to satisfy your needs, but you won’t find me writing about that stuff. I have an artistic vision I need to satisfy.

The downside to this, of course, is that by steering away from what is popular, I’m walking away from a potential marketplace. People love vampires and sadomasochism – that’s why they buy these books in their droves. Who the fuck wants to read about rocket propelled gimps or obscene Cowboy and Western acts?

We shall see. This morning I signed a contract with Sinful Press to publish The House of Fox. Some time in the near future we will be unleashing this rutting beast upon the world.

I can only apologise in advance.

News

When I first started this blog I was adamant that I would force myself to keep it up to date, and would write regular pieces to slap onto the net to maintain my profile in the world of smut. So much for good intentions; it’s probably three months since I bothered to post anything. This blog has become something like an exercise bike – you start off doing thirty miles a day, but before long it’s in the attic gathering dust with all your other crap.

So, what news is there to report? Obviously it would be inexcusable on my part to fail to mention that our Prime Minister once fucked a pig. It isn’t relative to anything, but it is a topic that I feel should be regularly raised - right up until the day that dirty pig fucker leaves office. And the next time the hypocritical son of a bitch passes legislation outlawing the depiction of sexual practices in British pornography, he should be reminded of his pork poking past, and told in no uncertain terms that anyone who sticks his rod in a hog has no business whatsoever telling other people what they can and can’t do with their genitals.

There’s finally a leftie in charge of the Labour Party, and Wales are smashing it in the World Cup, but what I’m really supposed to be writing about here is the release schedule for my upcoming works, rather than Cameron’s predilection for slamming the ham. I should therefore stop with the pig fucking puns and talk business.

I’ve just approved the final galley for a short story entitled ‘Office Politics’, which is set to release on Nov 6^th, through MuseItHot publishing. It will be a quick read, consumable in roughly the same amount of time as it takes a dignified statesman to slide his erect penis into the waiting mouth of a hog roast. Oops, sorry, I mentioned pig fucking again. I promise I’ll stop it now.

After Office Politics comes out I’ll be concentrating on the build up to the release of my second novel – Leisure – which will hopefully hit the digital shelves before the end of the year. I’m tentatively labelling Leisure as an erotic farce; publishers and retailers love to pigeonhole books into genres, and anything that they aren’t able to neatly compartmentalise gives them sleepless nights. Peeper caused consternation among advertisers because it didn’t fit rigidly into any of their tick boxes, but I’m hoping my next book will be a little more straight forward. I can guarantee that there will be absolutely no pig fucking contained within.

Moving toward next year, I’m hoping to have my fingers in a couple more pies (not pork pies). More news on that score if and when it happens.

Oink oink.

Why Censor Words?

I fell victim to the ultimate form of censorship this week, and it has gotten me so irate that I decided to dispense with my ‘no ranting’ rule and have a bloody good, full on whinge about it. Allow me to explain what happened . . .

I am in the process of creating an internet ‘buzz’ around my forthcoming novel Peeper and am doing the usual rounds of social media bombardment and guest appearances on blogs. One of these blogs is that of fellow writer of erotica Kay Dee Royal, who kindly agreed to interview me and provide a little advertising for my novel. So she sent me a list of questions to answer, and I dutifully filled in the form and sent it back, and Kay told me I would be appearing on her blog on June 8^th and she would send me a link so I could spam the fuck out of all my friends. All good so far.

The problem occurred when her blog went live and I received the link to go view it, and instead of seeing my interview and lovely pictures of my book cover, I saw the following message from my mobile network provider: This content is designated adults only and is blocked.

As you would imagine, I used several words at that moment which would have the internet censors scrambling for cover with their hands over their ears. “Fuck!” I shouted. “Fucking arseholing bollocking ball bags.” I was – I should point out – in the middle of nowhere, and without access to my home broadband was entirely reliant upon my smart phone to conduct my online affairs.

In a nutshell, my mobile network provider EE had censored me from reading back my own words; answers I’d given as part of an interview were being deemed far too rude for my poor little mind to cope with. Thank fuck these cocksniffers are here to protect me from myself, huh?

This opens up a whole new debate as far as I’m concerned. Namely, why are words being censored? I can see the point of censoring hard core porn sites - making sure that people who have no fucking clue about anything can happily hand over a smart phone to their offspring and sleep content at night, secure in the knowledge their little darlings can’t see anything they aren’t supposed to.

But the censorship of words is – to my mind – the ultimate nonsense. Allow me to explain what I mean. I want you to read the following sentence, and then close your eyes and allow its meaning to sink into your mind:

Barry and Mary went upstairs to make love.

Okay, so what did these words make you see? Maybe you’re a Mary Whitehouse type, and the idea of Barry and Mary having sex leaves you frothing at the mouth and indignantly reaching for your bible. Maybe you are slightly dirty minded, and saw Barry and Mary going at it hell for leather, naked and sweaty. Or maybe you are a total deviant, and saw Barry as a shy bi-curious man finally coming out of his shell and taking the butt-pounding of a lifetime from a seven foot tall Congolese transvestite named Mary.

The point is, any one of these scenarios are entirely possible. Words are nothing but symbols on a page which, when fed through our brain, can be transformed into images by our imaginations. So what is it exactly that needs to be censored – is it the words themselves, or is it our own thought processes? The only place that words can truly be transformed into pornography is in the depths of our own minds.

Censorship of words is censorship of the imagination - of our interpretation of a description, which is as individual to each of us as our fingerprints. How can you stop people from seeing things in their mind’s eye that you may not like? If I were to say the word ‘stiff’ I may be talking about a yardbrush, but you may see a massive, throbbing cock. Should the word ‘stiff’ be removed from the dictionary to protect the terminally fucked up, or would it be easier to simply lobotomise us all at birth so we’re protected from our own imaginations? God forbid we should think about something that a Daily Mail reader may not like.

And of course, the ultimate irony to all this is that while I was staring at the screen of my smart phone in disbelief at the declaration that I was being blocked from accessing a page full of my own words, there were probably myriad teenagers sitting in the back row of their geography lessons, giggling as they used their phones to watch the latest sex tape of some wannabe glamour model getting pounded by a footballer, as they are far smarter with smart technology than the rest of us.

I’m sure my mobile provider would argue it is easy for me to remove this block from my service, but why should I have to go to the trouble? They didn’t presume I was under eighteen when I signed up to their credit agreement and handed over my money, so why are they assuming I’m a child now? Should censorship not be an opt in device for concerned parents, rather than the default setting used to piss off innocent perverts like myself?

For anyone who is interested, here is the link to Kay Dee Royal’s blog:

http://kaydeeroyal.blogspot.co.uk/?zx=1a6f5c4dcbe2bcab

She’s a very nice lady, and you should all stop by for a visit. Hopefully the words you see written on the screen won’t damage your mind and condemn your mortal soul to the flames of hell.

Take a Peep at Peeper

Here I am once again; struggling with the side of the writing business they call marketing and trying to give reasons why you should all buy my book without making myself sound like the world’s biggest tosspot.

For starters, I’ll say that Peeper is dirty; I’m not talking a little suggestive or saucy here, this book is downright filthy. They say that sex sells, and with that in mind I should be onto a winner. Peeper tells the story of a man named Jenks, a small time private investigator who becomes involved with a blackmail plot centered around the seductive and mysterious Veronica, who drags him ever deeper into her seedy world. I won’t go into any detail about the scenarios that ensue, but I think it’s safe to say they are very, very rude.

Have these promises of dirtiness gotten your attention yet? No? Okay, so maybe I can appeal to you on an intellectual level; Peeper is based entirely in North Wales, and if – like myself – you hail from this little corner of the planet and wonder why there is seldom any representation of us Gogs in the media or art world, then this may very well be the book for you. The names of the towns and people are made up, but if you are familiar with this stretch of coastline then you may recognise the places and the characteristics.

If naughtiness and geography aren’t floating your boat, then perhaps I could offer you a little voyeurism? The idea of taking an illicit peep at the secret lives that others keep hidden behind closed doors is one I’m sure, if we’re honest with ourselves, we all enjoy far more than we should. Peeper deals with people who like to look, and with people who like to show.

Are you sold yet? Will you be purchasing a copy of my book on June 30^th? I could lie and claim that any profit made from sales will go to a good cause, like rescuing blind donkeys from evil paedophiles or something, but nothing could be further from the truth. This is purely a capitalistic venture; buy and sell; supply and demand.

Go on, buy it. You know you want to.

:)